JOSÉ SIMÓN CABARGA

II Official Chronicler of the City of Santander

This prominent member of the Center for Montañeses Studies was born in Santander the year 1902. Trained in Commerce and Journalism, He developed studies on the history of his hometown, giving notoriety, after tremendous work, to the figure of the Official Chronicler of Santander, honorary function of the Santander city council in which he replaced Tomás Maza Solano. He died in Madrid in the autumn of 1980.

His career as a journalist began in the third decade of the 20th century., specializing in agricultural and livestock issues of Cantabria and the artistic and cultural world of Santander, He was also well known for his skill as a caricaturist at a time when this skill still sometimes had advantages over photographic portraiture in journalism.. He signed some collaborations with the pseudonym “Apeles” and, in late period, as “Pedro de Becedo” or “Jesús Ponte”. His professional journalistic work was long and varied, from El Cantábrico or El Pueblo Cántabro to El Diario Montañés, the newspaper Alerta and La Hoja del Lunes, of which he was also the first director. In parallel to his journalistic profession, since the year 1947 He went on to direct the old municipal museum of Santander until his debated resignation last year. 1978, providing the necessary coherence to generate the Municipal Museum of Fine Arts that has survived to the present day. They are library y archive They are cataloged and preserved in the Center for Montañeses Studies by donation from their heirs..

In his best-known work, some sections can be highlighted., such as studies on the history of the city of Santander:

  • The Royal Shipyards of Santander. Santander City Council, 1950.
  • Santander, biography of a city. Santander City Council, 1954.
  • Santander. Sidon Ibera. Thus, S.A., 1956.
  • Santander, past, present and future. Santander City Council, 1963
  • From seven thousand duros to one billion pesetas. Santander Savings Bank, 1963
  • History of the Ateneo de Santander. National Publisher, 1963
  • Santander altarpiece. Jean S.A., 1964.
  • Santander in the War of Independence. Author's edition,1968.
    [PDF Pending incorporation]
  • Santander in the century of pronouncements and civil wars. Mountain Studies Center, 1972.
  • Santander in the history of its streets. Cultural Institution of Cantabria, 1980
  • Evocation of Old Puebla. Ed. from Estvdio Bookstore, 1982.
  • History of the Santanderina Press. Mountain Studies Center. 1983 (Posthumous edition)

biographies on mountain artists and writers:

  • Daniel Alegre, mountain sculptor. Anthology of mountain writers and artists, 1950
  • Manuel Salces Gutierrez. Anthology of mountain writers and artists, 1955
  • Marcelino Menendez Pelayo. Anthology of mountain writers and artists, 1956
  • Mountain Painters 1856-1956. 1956
  • Agustín Riancho. Anthology of mountain writers and artists, 1959
  • Catalog of the anthological exhibition of Agustín Riancho. Museum of Modern Spanish Art, 1973
  • Subtlety of José Ma de Pereda. Study and notes by José Simón Cabarga. Cultural Institution of Cantabria, 1977.

and guides for tourist dissemination of Santander and its province:

He was awarded numerous awards, distinctions, decorations and appointments for his works and career in different fields.

José Simón Cabarga was a prominent member of the Center for Montañeses Studies, cultural organization to which I felt great pride to belong. After dedicating the last few years to putting in order the information and documentation gathered throughout a lifetime, after his death his archive y library They were donated to this institution by his heirs, and its documentary sources frequented by numerous researchers.

Still little exploited, In the middle of the 20th century, he gathered information on microfilm about the War of Independence from Arfrench goats, generating and collecting abundant additional information, partly still unpublished, about this historical event. We highlight some, and we provide information gathered on the journey of the prisoners used as human shields in the withdrawal of the French army in 1912 from the city of Vitoria:

Diary of the prisoner Thomás Pérez de Camino during the retreat of the French army (1812)

Diary of the prisoner of war Thomás Pérez de Camino (1812), with annotations by Simón Cabarga.

From Vitoria to The Vosges (1945). Barcelona Literature Award and Accesit in Santander.

From Santander to The Vosges (Altamira Magazine, 1953)

Correspondence, notes and articles on the human shield of the French army's withdrawal in 1812.

Joinville school centenary / LThe sites of the Vosges and Petite Pierre / The strength of Lichtenberg.

Various documentation on the War of Independence from official archives

Microfilms 1 of archival documentation on the War of Independence (Los microfilms 1 y 2 They come from seven envelopes of negatives that accompany the documentation of Thomás Pérez de Camino en la Caja 44-1)

Microfilms 2 of archival documentation on the War of Independence

Microfilms 3 of archival documentation on the War of Independence

A documentary example in file SC304:

1. 1434 fol.1r, photocopy, Sepan how many…

2. Holy Crusade Tribunal Commissioners 1796.

3. Gabriel de Mendizabal 1812.

4. Apostolic inquisitors against heretical privity and apostasy CARTEL 1815

5. Apostolic inquisitors against heretical privity and apostasy LETTER 1815.

6 and 6bis. Santander contributes to the Campos Canal 1822.

7. Santander requests the return of the Inquisition 1823.

8. Santander to Las Cortes Basque jurisdictions 1839.

9. Health Board – Anger Disease 1854.

 

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General indexes of the Archive “José Simon Cabarga” at the Center for Mountain Studies